In the essay “Justice and Rights” of his book Taking Rights Seriously Ronald Dworkin puts forward an account of reflective equilibrium which has become an orthodoxy in interpreting John Rawls' theory of justice. My purpose here is to challenge this account, on the grounds that it presupposes an untenable view of the relation between belief and choice.

This paper offers an intellectual discourse for destination managers by exploring alternative branding approaches used during the colonial period in Kenya, now that the image is under siege both internally through socio-economic instability and unprecedented levels of poaching, and externally through travel warnings, outright trafficking in big game trophies, the constant threat of terror attacks, and poor global rankings in the Travel and Tourism Competitive Index. The paper conforms to the mission of thought and practice by identifying practical ways of (...) promoting tourist destination Kenya through an in-depth analysis of historical experiences. (shrink)

In the third century BC Rome embarked on the expansion which was ultimately to leave her mistress of the Mediterranean world. As part of that expansion a national literature arose, springing from the union of native linguistic energy with Greek literary forms. Shortly after the middle of the century the first Latin play took the stage; by 100 BC most of the important genres invented by the Greeks - epic, tragedy, comedy, historiography, oratory - were solidly established in their adoptive (...) Roman forms, and a new genre, satire, had been born. The chapters in this volume describe and analyse the process of creative adaptation which shaped the beginnings of Latin literature and laid the foundations for its future development as one of the great literatures of the world. Essential background is provided by introductory chapters on readers and critics in the Roman world. In these are described the form of the books themselves and the conditions under which they were produced, circulated and read. The whole volume offers an indispensable introduction to the understanding of the nature and quality of Latin literature. (shrink)

If any single controlling principle can be derived from what R. P. Blackmur has called the most sustained, eloquent, and original piece of literary criticism in existence, Henry James's Prefaces, it is that criticism is a creative act. This principle seems both sufficiently important and ambiguous to warrant a close examination of its meaning and consequences. In what follows, then, I propose to examine a theory of criticism as creativity, referring not only to James's remarks but also, and in particular, (...) to an earlier and some ways more accessible version which we find in Robert Browning's work. Undoubtedly, in the great realm of speculation open to the critical theorist there are grander tasks which one could set oneself. Whether there are more difficult ones is another question. As it is, despite their peculiar particularity, both Browning and James are ambitious writers who refuse to be contained within narrow limits. Both demand an awareness of the context of critical theory, a sense of the problematical nature of criticism and the perplexities of the creative act. It is these latter considerations with which I propose to begin. (shrink)

‘And now invoking as our helper overseas Zeus' calf and the son of the flower-browsing ancestress cow by conception from the on-breathing of Zeus—’: so begins the appeal of Danaos' daughters to their forefather Epaphos; the opening sentence is interrupted by a digression and never completed. In 43 M reads is almost universally adopted. However, is printed in the current Oxford text . Porson's emendation was attacked by Tucker on various grounds: it was palaeographically unsatisfactory, it added an otiose epithet (...) to but left unqualified, it involved a ‘scarcely Greek’ use of the participle, and it coined a form in having the unique sense ‘graze’ instead of ‘handle’. My purpose is to defend as the true reading and to explore its contextual significance. I begin by taking Tucker's objections in order. (shrink)

This paper is based on a semantic foundation of quantum logic which makes use of dialog-games. In the first part of the paper the dialogic method is introduced and under the conditions of quantum mechanical measurements the rules of a dialog-game about quantum mechanical propositions are established. In the second part of the paper the quantum mechanical dialog-game is replaced by a calculus of quantum logic. As the main part of the paper we show that the calculus of quantum logic (...) is complete and consistent with respect to the dialogic semantics. Since the dialoggame does not involve the 'excluded middle' the calculus represents a calculus of effective (intuitionistic) quantum logic. In a forthcoming paper it is shown that this calculus is equivalent to a calculus of sequents and more interestingly to a calculus of propositions. With the addition of the 'excluded middle' the latter calculus is a model for the lattice of subspaces of a Hilbert space. (shrink)